IV.
Acrylic on canvas
490 x 300 mm
2025
This piece, which inspired the title of the entire collection,
evokes the concept of songs or tracks on an album. Much like
music, art has the power to bypass our cognitive filter and
speak directly to the heart. I found this cassette tape while
sorting through old boxes of forgotten items. Its retro aesthetic
caught my eye, and it seemed a fitting symbol of the era I grew
up in. As a “Xennial”—born between 1977 and 1985—I experienced
a childhood steeped in analogue and an adulthood shaped by
digital innovation. The spirit of analogue is a foundational
theme of my practice. Looking back, the wisdom of our boomer
parents was no longer enough to make sense of the world amidst
the pace of exponential change. We, the Xennials, had to navigate
this rapidly shifting landscape on our own.
Music played a major role in shaping my worldview, especially the
countercultural and independent scenes of the time. It was a period
of resistance against the homogenous mass media that dominated
the cultural landscape. It was also a time of profound disillusionment,
as I watched ideals that once held deep meaning get co-opted into
consumerism, turning culture and identity into products people could
easily purchase, with little real effort or authenticity involved.
The cassette tape was the primary medium for purchasing music
before it was eclipsed by the digital compact disc in the ‘90s.
It was also when I first discovered the joy of portable music
with cassette players and boom boxes, taking my tunes with me
wherever I went. Many of the tapes I found were mixtapes, often
compiled from the radio, with moments of spontaneity where I’d
hit "record" when a favourite song played. These mixtapes became
personal gifts to friends or even tokens of affection for a crush,
a way to share not just music, but a piece of one’s soul.