IV.
Acrylic on canvas
490 x 300 mm
2025
This painting inspired the title of the
collection as I like to think of the work
like songs or tracks on an album. I like
that art and music can sometimes bypass
our cognitive biases and get straight
to the heart. I found this cassette tape
while organising some things that had been
packed away for years. I decided to paint it
as I was drawn to its retro look and felt it
made a fitting symbol of the era that I grew
up in. I am part of the “Xennial”
sub-generation born roughly between 1977 and 1985
and characterised by our analogue childhood
and digital adulthood. The spirit of analogue
is a foundational theme of my work. In hindsight,
I felt that the lessons our boomer parents could
teach us, were becoming less fit for purpose as the
rate of change multiplied exponentially. So, we had to
figure a lot out for ourselves.
Music as an art form had a huge impact on me,
especially the counterculture and independent
music of the time. It was nice to see some resistance
against the mass media slop that was being fed
to us. For me it was also a time of acute
disillusionment, as one-by-one, every idea
that I thought had any soul or meaning, was
systematically co-opted into consumer products
so people could just buy their culture and identity
off the shelf with very little real effort or virtue.
The cassette tape was the most common way to buy
music until it was taken over by the digital compact
disc in the 90’s. It was also a time when I discovered
the joys of listening to music on the move with the
popularity of portable cassette players and boom boxes.
Many of the old cassettes I found were mixtapes as I
recall listening to the radio ready to press record
when something came on that I liked. It was common to
share mixtapes with friends or as love letters for
a romantic interest.